Faye Toogood

I called them assemblages, because that's sort of what I feel I do, I cut and paste and curate, and edit and put things together. ”

          British designer Faye Toogood has emerged as one of the most prominent women in contemporary design today. “Whether you are a fashion designer, a furniture designer, or an interior designer, the materials you can get your hands on are essential,” she says.

          Toogood was born in the UK in 1977 and graduated with a BA in the History of Art in 1998 from Bristol University. Upon graduation, she worked as a prop stylist at The World of Interiors before establishing Studio Toogood in 2008.

          Working in a diverse range of disciplines from sculpture to furniture and fashion, Toogood often reinterprets and reinvents classical tropes and references from art history by introducing a new aesthetic. Since the conception of her immediately recognizable voluminous Roly-Poly chair (2014), she has been considered among the great form-givers of the 21st century.

          Her career is marked out by the discrete Assemblages, each of which conjures a compact world of interrelated ideas, forms, and materials. Her first collaboration with the gallery, Assemblage 5, was inspired by a visit to Henri Matisse’s Chapelle du Rosairede Vence explored ancient animist notions of the elements water, earth and moon through a personal lens. In Assemblage 6, Toogood set out to “unlearn” the process of design and build a new vocabulary for furniture by recasting sculptural maquettes made from mundane materials found in the studio.  Thirteen works from this expansive body of work were commissioned by Qatar Museum for a public setting at the Qatar National Theatre, titled Clay Court. In her newest Assemblage 7, “Lost and Found,” Toogood sought to dig into British material culture by engaging with Oak and Purbeck Marble, pointing to the archaeological gesture of “excavating” through subtractive carving.

          Her works have been acquired for the permanent collections of institutions worldwide, including the Corning Museum of Glass, NY; Dallas Museum of Art, TX; Denver Museum of Art, CO; High Museum of Art, Atlanta, GA; National Gallery of Victoria, Melbourne; and Philadelphia Museum of Art, PA. 

          Toogood lives and works in London, UK.

 

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Mound II, 2022

Hand-carved oak
29.5 x 55 x 35.5 inches
75 x 140 x 90 cm
Edition of 8FB34216

Mound I, 2022

Hand-carved oak
29.5 x 73.5 x 42 inches
75 x 187 x 107 cm
Edition of 8
FB34217

Cairn, 2021

Hand-carved oak
35 x 30 x 26.5 inches
89 x 76 x 67 cm
Edition of 20
FB33713

Barrow, 2022

Hand-carved Purbeck marble
19 x 27.5 x 15.75 inches
48.5 x 70 x 40 cm
Edition of 8
FB34213

Barrow, 2021

Hand-carved oak
20 x 27.5 x 17.75 inches
51 x 70 x 45 cm
Edition of 20
FB34083

Lode I, 2021

Hand-carved oak
36.25 x 58 x 16 inches
92 x 147 x 41 cm
Edition of 8
FB33712

Hollow II, 2021

Hand-carved oak
35.75 x 17.25 x 19.25 inches
91 x 44 x 49 cm
Edition of 20
FB32566

Plot, 2022

Hand-carved oak
14.5 x 72 x 49.25 inches
37 x 183 x 125 cm
Edition of 8

Cup High / Moon, 2018

Sand-cast bronze, silver nitrate
20 x 12 x 12 inches
50 x 30 x 30 cm
Edition of 20
(Cup High Moon)

Moon Tapestry, 2016

Wool, cotton
55.12 x 110.24 x 1.97 inches
140 x 280 x 5 cm
Edition of 8
(Moon Tapestry)

Solitaire / Moon, 2016

Sand-cast bronze, silver nitrate
2 x 23.75 x 23.75 inches
5 x 60 x 60 cm
Edition of 20
(Solitaire Moon)

Pew Bench / Moon, 2016

sand-cast bronze, silver nitrate
17 x 49.25 x 17.75 inches
43 x 125 x 45 cm
Edition of 8
(Pew Bench Moon)

Cup / Earth, 2016

Cob composite
20 x 12 x 12 inches
50 x 30 x 30 cm
Edition of 20
(Cup Earth)

Cup / Water, 2016

Lithium-barium crystal
15.75 x 15.75 x 15.75 inches
40 x 40 x 40 cm
Edition of 8
(Cup Water)

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