Andrea Branzi

In every piece I try to fight a sense of good taste and push more obscure proportions. There are no straight lines, no perfect angles. Imperfection is the standard. ”

          Seminal Italian architect, designer and educator Andrea Branzi has held a lifelong fascination with how humans interact with objects, and has sought to reconcile design and architecture with the evolving challenges of contemporary society. As a leading theorist, Branzi has contributed an analytical and academic approach to the discipline.

          Born in Florence in 1938, Branzi studied architecture at the Florence School of Architecture, receiving his degree in 1966. From 1964 to 1974, he was a founding member of the experimental group Archizoom, which envisioned the groundbreaking No-Stop-City among other projects. Branzi was a key member of Studio Alchimia, founded in 1976, and went on to associate with the Memphis Group in the early 1980s.

          In the mid-eighties, Branzi turned away from the highly-stylized aesthetic of postmodern design to embrace a style he called “neoprimitivism.” The key expression of his new direction was his seminal Animali Domestici (1985-1986) series, which featured rectilinear modern forms intersected by unfinished logs, sticks, and wood offcuts, upholstered with loose pelts—bringing the artificial and natural into equilibrium.

          He distinguished himself as a co-founder of Domus Academy, the first international post-graduate school for design, and was a professor and chairman of the School of Interior Design at the Politecnico di Milano until 2009. Branzi is a three-time recipient of the Compasso d’Oro, honored for individual or group effort in 1979, 1987, and 1995. In 2008, Branzi was named an Honorary Royal Designer in the United Kingdom and he received an honorary degree from La Sapienza in Rome. That same year, his work was featured in an installation at the Fondation Cartier, Paris. In 2018, Branzi was the recipient of the prestigious Rolf Schock Prize in Visual Arts by the Swedish Royal Academy of Fine Arts.

          Branzi’s works are held in the permanent collections of the Centre Pompidou, Paris; Israel Museum, Jerusalem; Museum of Fine Arts, Houston, TX; Museum of Modern Art, New York, NY, and Victoria & Albert Museum, London among others.

          He lives and works in Milan, Italy.



Vibrazioni, 2019

Optical acrylic, aluminum
79.5 x 27.5 x 19.75 inches
202 x 70 x 50 cm
Edition 12

Cromlech, 2019

Foam, concrete, aluminum
79.5 x 87 x 15l75 inches
202 x 221 x 40 cm
Edition of 12

Lamp, 2014

Japanese rice paper, aluminum
111 x 24.5 x 24.5 inches
282 x 62 x 62 cm
Edition of 12

Plank Cabinet 8, 2014

Patinated and polished aluminum, wood and spray paint
63.25 x 110.25 x 19.75 inches
161 x 280 x 50 cm
Edition of 12

Plank Cabinet 2, 2014

Patinated and polished aluminum, wood and spray paint
70.75 x 94.5 x 13.75 inches
180 x 240 x 35 cm
Edition of 12

Wall 4, 2013

Chalk on printed canvas and wood
94.5 x 78.75 x 26.75 inches
240 x 200 x 68 cm

Stone 2A, 2011

Stones and patinated aluminum
47.24 x 55.12 x 10.63 inches
120 x 140 x 27 cm
Edition of 12

Tree 1B, 2011

Birch and patinated aluminum
68 x 150 x 23.5 inches
172.7 x 381 x 59.7 cm
Edition of 12
Signed and editioned

Tree 8, 2010

Birch and patinated aluminum
80.71 x 55.12 x 13.78 inches
205 x 140 x 35 cm
Edition of 12

Tree 4, 2010

Birch and patinated aluminum
43.31 x 98.43 x 10.63 inches
110 x 250 x 27 cm
Edition of 12

Tree 2, 2010

Birch and patinated aluminum
39.37 x 47.24 x 10.63 inches
100 x 120 x 27 cm
Edition of 12

Lampe Foglia, 1988

Acrylic glass, electroluminescent sheet, transformers
10 x 17.75 inches
25 x 45 cm
Edition of 24


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