November 9, 2016 - December 17, 2016

Friedman Benda, New York, NY

Friedman Benda is pleased to announce Water Meditation, Byung Hoon Choi’s second solo exhibition in New York. For over 35 years, the Korean artist has built a unique oeuvre drawing on Zen Buddhist ideologies of introspection and Taoist notions of balance. Known for his play between natural and fabricated elements, he sets rough beside polished, old against new. Choi consistently uses the word “afterimage” in titling his work in reference to what he calls “an imaginary and mystical encounter with a previous world not yet experienced.” He returns with new works in two mediums—traditional lacquer and basalt—centered on the theme of water.

This exploration of lacquer is a first for Choi. Inspired by his Korean heritage, he draws on traditional craftsmanship in East Asia, where lacquer techniques have been widely practiced for over 2,000 years. In his experimentation, Choi mixes pigment into the lacquer, especially apparent in the red undertones of afterimage of beginning 016-459. The smoothly polished lacquer reflects like liquid surfaces, a metaphysical ode to the exhibition’s title. Still water fills a number of the larger pieces, a more literal leitmotif.

Juxtaposing the resting water of the lacquer works, the fountains’ running water evokes the notion of a moving, living sculpture. The fountains represent a progression of Choi’s work in basalt, growing vertically, resembling a scholar’s rock or a naturally grown accumulation.  On a more intimate scale than before, new seating and a table balance the rounded shapes of the lacquer works. Emphasizing the rougher parts of the stone, Choi is seen exploring the affinity of polished basalt as allegorical liquid surfaces.


About Byung Hoon Choi

Byung Hoon Choi was born in Gangwon-do, Korea in 1952. In 1974, he graduated from the Hong-ik University with a degree in Applied Fine Arts. He later completed a Masters of Fine Art from Hong-ik in 1979. In 1977, he founded an association of young artists, ‘The Society for the Creation of Decorative and Applied Arts’ which had a profound effect on defining the future of applied arts in Korea. He travelled around the world during the 1970’s soaking up inspiration from the Mayan, Incan, African and Indian cultures. He has exhibited his work throughout Korea and the world, while concurrently working as a professor at a number of schools. Choi has also developed extensive research in the field of furniture design and crafts, working as a research professor, throughout his career. He is currently a professor of woodworking and furniture design at Hong-ik University, in Seoul, Korea.

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