Design Miami/ Basel | Booth G02

June 13 – 18, 2023

Faye Toogood [British, b. 1977]
Roly-Poly Chair / Water, 2016
Lithium-barium crystal
24 x 33.5 x 23.25 inches
61 x 85 x 59 cm
Edition of 8

Maquette for Roly Poly Chair

Exhibition History:
Here We Are! Women in Design 1900 – Today. Vitra Design Museum, Weil am Rhein, Germany. September 23, 2021 – March 6, 2022. (Roly-Poly Chair black polyethylene)

COLORS, ETC. Lille3000, Le Tripostal, Lille, France. April 9 – September 12, 2021. (Roly-Poly Chair / Earth)

NGV Triennial 2020: Faye Toogood | Downtime: Daylight, Candlelight, Moonlight. National Gallery of Victoria, Melbourne, Australia. December 5, 2020 – August 1, 2021.

When Attitudes Become Chairs. Pizzuti Collection, Columbus, OH. September 8, 2018 – January 20, 2019. Curated by Marc Benda and Glenn Adamson.

Faye Toogood: Assemblage 5. Friedman Benda, New York, NY. February 23 – April 15, 2017.

"Faye Toogood | Downtime: Daylight, Candlelight, Moonlight" installation view at National Gallery of Victoria, 2020-21
"Faye Toogood: Assemblage 5" installation view at Friedman Benda, 2017

Alistair O’Neill, Faye Toogood: Drawing, Material, Sculpture, Landscape, New York: Phaidon, 2022, pp. 196-201.

Sophie Mackintosh and Glenn Adamson, Faye Toogood: Assemblage 6, Unlearning, Barcelona: Apartamento Publishing S.L., 2021, p. 429. (Roly-Poly Chair / Raw)

New Glass Now, exh. cat., Corning, NY.: The Corning Museum of Glass, 2019, p. 269.

Glenn Adamson, When Attitudes Become Chairs, exh. cat., Columbus, OH: Pizzuti Collection, 2018, pp. 98-99.

Faye Toogood: Assemblage 5, exh. cat., New York: Friedman Benda, 2017, p. 44.

Alistair O'Neill, Faye Toogood: Drawing, Material, Sculpture, Landscape, Phaidon, 2022, pp. 196-197.
New Glass Now, The Corning Museum of Glass, 2019, p. 269.
Faye Toogood: Assemblage 5, Friedman Benda, 2017, p. 44.


Museum Collections:
Baltimore Museum of Art, Baltimore, MD (Roly-Poly Chair / Water)
The Corning Museum of Glass, Corning, NY (Roly-Poly Chair / Water)
Denver Museum of Art, Denver, CO (Roly-Poly Chair / Raw)
High Museum of Art, Atlanta, GA (Roly-Poly Chair / Water)
National Gallery of Victoria, Melbourne, Australia (Roly-Poly Chair / Oxblood and water)
Philadelphia Museum of Art, Philadelphia, PA (Roly-Poly Chair / Cream)


About Faye Toogood

          British designer Faye Toogood has emerged as one of the most prominent women in contemporary design today. “Whether you are a fashion designer, a furniture designer, or an interior designer, the materials you can get your hands on are essential,” she says.

          Toogood was born in the UK in 1977 and graduated with a BA in the History of Art in 1998 from Bristol University. Upon graduation, she worked as a prop stylist at The World of Interiors before establishing Studio Toogood in 2008.

          Working in a diverse range of disciplines from sculpture to furniture and fashion, Toogood often reinterprets and reinvents classical tropes and references from art history by introducing a new aesthetic. Since the conception of her immediately recognizable voluminous Roly-Poly chair (2014), she has been considered among the great form-givers of the 21st century.

          Her career is marked out by the discrete Assemblages, each of which conjures a compact world of interrelated ideas, forms, and materials. Her first collaboration with the gallery, Assemblage 5, was inspired by a visit to Henri Matisse’s Chapelle du Rosairede Vence explored ancient animist notions of the elements water, earth and moon through a personal lens. In Assemblage 6, Toogood set out to “unlearn” the process of design and build a new vocabulary for furniture by recasting sculptural maquettes made from mundane materials found in the studio.  Thirteen works from this expansive body of work were commissioned by Qatar Museum for a public setting at the Qatar National Theatre, titled Clay Court. In her newest Assemblage 7, “Lost and Found,” Toogood sought to dig into British material culture by engaging with Oak and Purbeck Marble, pointing to the archaeological gesture of “excavating” through subtractive carving.

          Her works have been acquired for the permanent collections of institutions worldwide, including the Corning Museum of Glass, NY; Dallas Museum of Art, TX; Denver Museum of Art, CO; High Museum of Art, Atlanta, GA; National Gallery of Victoria, Melbourne; and Philadelphia Museum of Art, PA. Toogood lives and works in London, UK.

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