Download PDF (338 K)FORREST MYERS
Present
Lives and works in Brooklyn, NY and Damascus, PA
1961
Resides in New York City
1986
Studios in Brooklyn, NY and Damascus, PA
1958-60
San Francisco Art Institute, CA
1941
Born. Long Beach, CA
SOLO EXHIBITIONS AND PROJECTS
2009
Wild Turkey Sculpture Park, Damascus, Pa. Forrest Myers and Debra Arch Myers, opening in conjunction with Callicoon Fine Arts, NY
2008
Not Furniture. Hedge Gallery, San Francisco, CA
2007
Forrest Myers. Friedman Benda, New York, NY
2006
Right Brain / Left Brain – Selections from 1960 to 2006. Yellow Bird Gallery, Newburgh, NY
1997
Forrest Myers: Recent Sculpture. Art & Industrie, New York, NY
1996
Forrest Myers. Art & Industrie, New York, NY
1991
Forrest Myers. Art & Industrie, New York, NY
1990
Forrest Myers. Art & Industrie, New York, NY
1988
Forrest Myers: Solo Exhibition. Art & Industrie, New York, NY
1987
Forrest Myers: Solo Exhibition. Art & Industrie, New York, NY
1983
Furniture of the Twentieth Century. New York, NY
1982
Forrest Myers. Art & Industrie, New York, NY
1980
Ehrlich Gallery, New York, NY
1979
Search Light Sculpture. Dallas Symphony Orchestra, TX
1976
Design and installation works. Lower Manhattan Ocean Club, New York, NY
1975
Unocycle, one wheel motorcycle made for the film Gizmo, Parrot Production
Tanglewood Music Festival, Lenox, MA
Artpark, Lewinston, NY
1974
Forrest Myers. Sculpture Now, Inc., New York, NY
1973
The Wall, Art in Public Places. Permanent Installation on Broadway and Houston, New York, NY
1971
Forrest Myers. Paula Cooper Gallery, New York, NY
1967
Search Light Sculptures. Thompkins Square Park, New York, NY
Forrest Myers – Tony Magar. Dwan Gallery, Los Angeles, CA
Designs the Long View Country Club, New York, NY
1966
Forrest Myers. Dwan Gallery, Los Angeles, CA
Tamara Melcher Paintings and Forrest Myers Sculpture. Park Place, New York, NY
1965
Park Place Gallery, New York, NY
Robert Graham Gallery, New York, NY
GROUP EXHIBITIONS
2011
Museum Show Part 1, Arnolfini, Bristol, UK
Picasso to Koons: The Artist as Jeweler, Museum of Arts and Design, NY
January White Sale, Loretta Howard Gallery, New York, NY
2009
Festival @rt Outsiders, Art of Extreme Environments Maison Europeenne de la
Photographe, Paris, France
P.S. 1 Contemporary Art Center, NY
Sculptors Draw, Lesley Heller Gallery, New York, NY
All Suffering Soon To End, Callicoon Fine Arts, NY
Reimagining Space, The Park Place Gallery The Blanton Museum of Art, Austin, TX
2008
Reimagining Space: The Park Place Gallery Group in 1960's New York. Blanton Museum of Art, University of Texas, Austin, TX
Design contre design: Deux Siècles de Créations. Galeries nationals du Grand Palais, Paris, France
2006
The War is Over. Sideshow Gallery, Brooklyn, NY
2005
Modernism: a Century of Style and Design. Seventh Regiment Armory, New York, NY
2004
Max's Kansas City. Nikolaj Copenhagen Contemporary Art Center,
Denmark
Peace. Sideshow Gallery, Brooklyn, NY
Teknologi for Livet – Om Experiments in Art and Technology. Norrkopings Konstmuseum, Kristinaplatsen, Sweden
21st Annual Exhibition & Auction for Women's Cancer. Sideshow Gallery,
Brooklyn, NY
Pax Americana. The Lake Huntington Center for the Arts, NY
2003
Merry Peace. Sideshow Gallery, Brooklyn, NY
2002
Ultra Delux. Sideshow Gallery, Brooklyn, NY
Function & Fantasy: The Design Show. Rockland Center for the Arts,
Nyack, NY
2001
Designers at Work – A Visual Journal. Pratt University, New York, NY
Aluminum by Design. The Montreal Museum of Fine Arts, Canada
1999
Dysfunctional Sculpture. Center for Creative Studies Galleries, Detroit, MI
Sticker Shock. Institute of Contemporary Art, Philadelphia, PA
Primarily Structural – Minimalist and Post-Minimalist Works on Paper. PS1 Contemporary Art Center, Long Island City, NY
1998
Dick Bellamy Memorial Exhibition. PS1 Contemporary Art Center, Long
Island City, NY
Regatta '98. Sideshow Gallery Inc., Inaugural Exhibition, Brooklyn, NY
20th Anniversary Exhibition. Art & Industrie, New York, NY
Sculptors Draw. Rosenberg & Kaufman, New York, NY
1997
Form Function or Metaphor. Paint Creek Center for Arts, Rochester, MI
1996
Between Form and Image: Art of the 1970's and 1980's. Ackland Art Museum, The University of North Carolina at Chapel Hill, NC
1995
Adding It Up: Print Acquisitions 1970-1995. Museum of Modern Art, New York, NY
Return from Vacation. Art et Industrie, New York, NY
USA – Valle d'Aosta: Models for Large Scale Sculpture Regione Autonoma. Valle d'Aosta, Italy
Annual Sculpture Show. Lookout Sculpture Park, Damascus, PA
Susquehanna Studio's 20th Annual Exhibition. The Art Exchange, Uniondale, PA
1994
Grounds for Sculpture. Johnson Atelier, Mercerville, NJ
Annual Sculpture Show. Lookout Sculpture Park, Damascus, PA
Art at Work. Los Angeles Design Center, CA
Susquehanna Studio's 19th Annual Exhibition. The Art Exchange, Uniondale, PA
Stoned Moon. Mary Ryan Gallery, New York, NY
1993
Grounds for Sculpture. Johnson Atelier, Mercerville, NJ
Design Perspective. Chateau du Fresne, Decorative Art Museum, Montreal, Canada
Models for Large Scale Sculpture. Lookout Sculpture Park, Damascus, PA
1992
Chair as Art. Gallery of Functional Art, Santa Monica, CA
Then and Now. Philippe Staib Gallery, NY
Bench Marks. Katonah Museum of Art, Katonah, NY
On and Off Your Rocker. Bernice Steinbaum Gallery, New York, NY
Vered Gallery. Easthampton, NY
1991
On Scale. Bennet-Siegel Gallery, NY
International Furniture Design for the '90's Full Scale Gallery, New York, NY
91 Objects by 91 Designers. Gallery 91, New York, NY
Masks, Benefit for Victim Services. Dyansen Gallery, New York, NY
The Chair: From Artifact to Object. Weatherspoon Art Gallery, The
University of North Carolina at Greensboro, NC
1990
The Technological Muse. Katonah Museum of Art, Katonah, NY
1980-1990, Art & Industrie. New York, NY
Aquarian Artists. University of Rhode Island Fine Arts Center, Kingston, RI
Functional Art NY. Brutus Gallery, Osaka; IMZ Building, Fukuoka, Japan
Real – Placebo. Bennet-Siegel Gallery, New York, NY
1989
Art & Industrie, New York, NY
1987
Sculpture: Before and After. Mission Gallery, New York, NY
10th Anniversary Exhibition. Art & Industrie, New York, NY
1986
The Chair. Traveling Exhibition: San Francisco Airport Museum, CA
Halley's Comet Show, Light Gallery, New York, NY
Ritual Objects, Art & Industrie, New York, NY
Unlimited Possibilities of Structures, Gallery 91, New York, NY
Modern Chair, North Carolina State University, NC
Functional Objects, Art & Industrie, New York, NY
The Chair. Traveling Exhibition: San Francisco Airport Museum, CA
1985
New Works '86. Art & Industrie, New York, NY
Bars. Art & Industrie, New York, NY
New Art. Diverse Works, Houston, TX
New Furniture. Novo Gallery, New York, NY
The Chair. Traveling Exhibition: San Angelo Museum, TX
Material Pleasures – Furniture for a Post-Modern Age. The Queens Museum, NY
Made in the USA. Gallery 91, New York, NY
Time Will Tell. The Squib Gallery, Princeton, NJ
The Maximal Implications of the Minimal Line. Bard College, Annandale-on-
Hudson, NY
1984
Functional Objects. Art & Industrie, New York, NY
Art Furniture. American New Wave, Gallery 91, New York, NY
Grace Design, Houston, TX
Forms that Function. The Katonah Gallery, Katonah, NY
Jon Leon Gallery, NY
1983
10th Anniversary Functional Art Show. Foster / White Gallery, Seattle, WA
Terminal New York, Brooklyn, NY
Hokin-Kaufman Gallery, Chicago, IL
1981
Radical Objects. Art & Industrie, New York, NY
1980
Ehrlich Gallery, NY
1979
Sculpture in the Constructivist Tradition. Patricia Hamilton Gallery, New York, NY
Search Light Performance. Dallas Symphony Orchestra, TX
1978
Indoor, Outdoor. PS 1, Long Island City, NY
1977
Patricia Hamilton Gallery, New York, NY
1976
Sculpture '76. Bicentennial Outdoor Sculpture Exhibit, Greenwich, CT
1975
Search Light Performance. Artpark, Lewinston, NY
1973
Biennial of Contemporary American Painting & Sculpture. Whitney Museum of
American Art, New York, NY
1972
Outdoor Sculptors Indoors. Storm King Art Center, Mountainville, NY
Biennial of Contemporary American Painting and Sculpture Show, Whitney Museum
of American Art, New York, NY
1971
Art for Your Collection. Museum of Art, Rhode Island School of Design, Providence,
RI
Paula Cooper Gallery, New York, NY
Windham College, Putney, VT
International Outdoor Sculpture Exhibit, Middleheim Museum, Antwerp, Belgium
Highlights of the Season, Larry Aldrich Museum, Ridgefield, CT
1970
Paula Cooper Gallery, New York, NY
Sculpture Annual. Whitney Museum of American Art, New York, NY
1969
The Moon Museum – First Art on the Moon. Apollo 12 Mission Experiments in Art & Technology (E.A.T.). Pepsi Cola Pavilion, Osaka, Japan
Paula Cooper Gallery, New York, NY
1968
Cool Art 1967. The Aldrich Museum of Contemporary Art, Ridgefield, CT
American Embassy, Mexico City, courtesy of the Museum of Modern Art, NY
Model Exhibition. John Gibson Gallery, New York, NYSearch Light Pieces. Union Square, New York, NY
Park Place Group Show. MIT, Boston, MA
1967
Annual Exhibition 1966 Contemporary Sculpture and Prints. Whitney Museum of
American Art, New York, NY
Sculpture of the '60s. Philadelphia Museum of Art, PA
Art for the City. Institute of Contemporary Art, University of Pennsylvania,
Philadelphia, PA
Park Place Group Show. Denver, CO
American Sculpture of the Sixties. Los Angeles County Museum of Art, CA
Aerial Light Sculpture in Tompkins Square Park. New York, NY
Current Visual Dimensions. Park Place, The Gallery of Art Research, New York, NY
Sculpture in Environment, New York, NY
1966
Primary Structures: Younger American and British Sculptors. The Jewish Museum,
New York, NY
Park Place, Lannan Foundation, Palm Beach, FL
Forrest Myers – Tony Magar. Dwan Gallery, Los Angeles, CA
Park Place opens its new show Sunday. February 27 from five to seven: di Suvero, Fleming, Forakis, Grosvenor, Magar, Melcher, Myers, Novros, Ruda, Valledor, 542 West Broadway, Park Place, New York, NY
Drawing Exhibition. New York University, NY
1965
4 D. John Daniels Gallery, February-March, New York, NY
Sculpture from all Directions. World House Galleries, New York, NY
Plastics. John Daniels Gallery, New York, NY
Robert Graham Gallery. New York, NY
1964
Welfare Island Art Festival, NY
1962-67
Park Place Gallery, New York, NY
1959
San Francisco Art Institute, CA
AWARDS
2000 Pollock-Krasner Foundation
1998 Adolph & Esther Gottlieb Foundation
1980 National Endowment for the Arts, NEA
1977 Creative Artists Program Service, CAPS
1973 John Simon Guggenheim Memorial Fellowship
MUSEUM AND PUBLIC COLLECTIONS
Ackland Art Museum, University of North Carolina, Chapel Hill, NC
Art Institute of Chicago, IL
Bergen Community College, NJ
Chateau du Fresne, Decorative Arts Museum, Montreal, Canada
Dallas Museum of Art, Dallas, TX
Lipschultz Foundation, Chicago, IL
Museum of Modern Art, New York, NY
Museum of Modern Art, San Francisco, CA
Museum Tower Roof Garden, Museum of Modern Art, NY
Miami-Dade County Art in Public Places, Miami, FL
San Francisco Museum of Modern Art, San Francisco, CA
Storm King Art Center, Mountainville, NY
Virginia Museum of Arts, Richmond, VA
Walker Art Center, Minneapolis, MN
LECTURES
2002
Lecture: Designers in Their Environment. Pratt Institute, Brooklyn, NY
1999
Woodward Lecture Series. Center for Creative Studies, Detroit, MI
1998
Lecture: Parallel Lines: The Distinctions Between Art and Furniture. Rhode Island School of Design, Providence, RI
1994
Teaching position: Parsons School of Design, New York, NY, Art Furniture and
Design
1990
Storm King Art Center, Mountainville, NY
1987
Teaching position: Visiting critic. Yale School of Architecture, New Haven, CT
1986
Lecture: Ettore Sottsass and the Memphis Movement. Furniture of the 20th
Century, New York, NY
1984
Teaching position: Visiting critic. Yale School of Architecture, New Haven, CT
1982
Lecture: Envirometal. New York Atelier of Design, NY
1980
Lecture: Artist Series. Albany Institute of History & Art, NY
1979
Lecture series. Montclair State College, NJ
1978
Lecture: Advanced Sculpture. Kent State University, OH
Teaching position: Undergraduate Sculpture. Kent State University, OH
1974
Teaching position: Advanced Sculpture. The School of Visual Arts, New York,
NY
1973
Lecture: Spirituality and Modern Sculpture. Baltimore School of Art, MD
1971
Lecture: Experiments in Art and Technology. I.B.M. Corporation, Armonk, NY
1968
Lecture: The Techniques & Fabrication of Contemporary Sculpture. The San Francisco Art Institute, CA
Teaching position: Beginning Sculpture. San Francisco Art Institute, San Francisco, CA
1965
Lecture: The Definition of Modern Sculpture. The Artist Club, New York, NY
LITERATURE
Anderson, Wayne. American Sculpture in Process: 1930/1970. New York: Graphic Society, 1975.
Battock, Gregory. Minimal Art a Critical Anthology. New York: EP Dutton, 1968.
Carrol, Jim. Forced Entries: The Downtown Diaries, 1971-1973. New York: Penguin Books, 1987.
Cohen, Gayle and Michelle. The Art Commission and the Municipal Art Society, Guide of Manhattan's Outdoor Sculpture. New York: Prentice Hall Press, 1988.
Davis, Paul. Art & the Future. New York: Preager Publishers, 1974.
Domargue, Denise. Artists Design Furniture. New York: Abrams Press, 1984.
Easton, Elizabeth. Ed. The Empire State Collection: Art for the Public, New York: Harry N. Abrams, Inc, 1987. p. 121.
Gaillemin, Jean Louis. Design Contre Design: Deux Siècles de Créations. Paris: Le Grand Palais, 2007. p. 181.
Holt, Nancy. Ed. The Writings of Robert Smithson. Essays with Illustrations. New York: New York University Press, 1979.
Humblet, Claudine. La Nouvelle Abstraction Americaine 1950-1970. Milan: Skira Press, 2003.
p. 1815-1839.
Janjigian, Robert. A Neglected History: 20th Century American Craft. New York: American Craft Museum, 1990. p. 54.
_______. High Touch: The New Materialism in Design. New York: E.P. Dutton, 1990.
p. 3, 24, 27, 41, 84.
_______. Forrest Myers, Art & Industrie. Exhibition catalogue. New York, 1990.
_______. "Covering All the Angles." in Architectural Lighting, December, 1990. p. 25.
Jones, Alla. Introduction, Forrest Myers, exhibition catalogue. Art & Industrie, New York, 1988.
Kaufmann, Rick. Forrest Myers, Art & Industrie. Exhibition catalogue. New York, 1997.
Lawrence, Sidney. Music in Stones: Great Sculpture Gardens of the World. New York: Scala Books, 1984.
McKenzie, Frank. New Used & Improved: Art for the '80's. New York: Abbeville, 1989.
Naeve, Milos M. Identifying American Furniture, A Pictorial Guide to Styles & Terms, Colonial to Contemporary. Tennessee: American Association for State & Local History, 1989.
Newman, Amy. Challenging Art: Artforum 1962-1974. New York: Soho Press, 2003. p.444.
Rose, Barbara. American Art Since 1900. New York: Praeger Publishers, 1975.
Steinbaum, Bernice. The Rocker – an American Tradition, New York: Rizzoli Press, 1992.
p. 121-123.
Storm King Art Center. A Landscape for Modern Sculpture. New York: Abbeville Press Publishers,1985.
Sukenick, Ronald. Down & In, Life in the Underground. New York: Beech Tree Books, 1987.
Stern, H. Peter and David Collens. Sculpture at Storm King. New York: Abbeville Press, 1981.
Vogel, Carol. "Against Gravitopism: Art and the Joys of Levitation." In Zero Gravity: A Cultural User's Guide. London: The Arts Catalyst, 2005. p. 18-25.
PRESS
2009
"Affiliations. Space Explorers." Art in America, February, 2009.
2008
Conley, Kevin. "High Wire Act." Men's Vogue, October, 2008.
"Re-Imagined." Time Magazine, December, 2008.
2007
Humblet, Claudine. "Forrest Myers." The New American Abstraction 1950-1970, Volume 3.
Milan: Skira Press, 2007. p. 1814-39.
Kuo, Michelle. "The Art of Production." Artforum, October, 2007. p. 310.
Ramirez, Anthony. "Art Returning to SoHo, with Room for Commerce." The New York Times, April 25, 2007.
Bragg, Chris. "High, Bright, 'The Wall' will return to SoHo Wall." The Villager, vol. 76, no. 47, April 18-24, 2007.
Taylor, Kate. "At Long Last 'The Wall' May be Restored in SoHo." The New York Sun, April 19, 2007.
Gura, Judith. "Pedal to Metal." Art + Auction Special Issue: Paris by Design, April, 2007. p.140.
Kirwin, Liza. "Art and Space: Park Place and the Beginning of the Paula Cooper Gallery." Archives of American Art Journal, Smithsonian Institution, January 2, 2007.
2006
Leffingwell, Edward. "Light Industry." Art in America, December, 2006. p. 128-133.
Johnson, Ken. "A Show Where Art, Design, and Collectibles Blur." The New York Times, November 11, 2006. p. E33.
Guilbert, Juliette. "Artful Design at Miami's Design 05." Modernism, Spring, 2006. p. 120.
_______. "Design Miami Basel." Florida Design, vol. 16, no. 3, 2006. p. 324.
2005
Johnson, Ken. "Mark Ruffalo Recommends." in BestLife, September, 2005. p.76.
MacPherson, D. Clark. "Conflict of Disinterest." SoHo Journal, Summer, vol. 7, no, 2, 2005. p. 10-13.
Yau, Jahn. "In Conversation – Mark di Suervo." The Brooklyn Rail, July-August, 2005. p. 10.
Treffinger, Stephen. "On Beyond Eames: Dark Wood, Leather and Pink Velvet." The New York Times, June 2, 2005. p. F3.
_______. "Currents." The New York Times, Design Section, June 2, 2005.
Kadison, Dan. "Sculptor: My 'Wall' Must Stay." New York Post, March 17, 2005. p. 28.
_______. "'Wall' Brawl Heats Up." New York Post, March 15, p. 42.
Kaysen, Ronda. "SoHo 'Wall' Dispute Returns to the Courts." Downtown Express, Feb. 25 – Mar. 3, 2005. p. 16.
_______. "'Wall' Brawl in SoHo Pits Advertising Against Art." The Villager, Feb. 23 – Mar. 1, vol. 74, no. 42, 2005. p.1, 4.
Vogel, Carol. "Something that Does Love a Wall." The New York Times, January 28, 2005.
2004
Cash, Stephanie. "Perils of Public Art: Art vs. Religion and Commerce." Art in America, November, 2004. p. 45.
_______. "Artwork on Landmark Building Stays." Cityland, Center for New York City Law, 2004. p. 13.
Fries, Colin. "Will it Go Round in Circles: A Colorful Mosaic of Art Thrown into Space." Quest – The Magazine of National Aeronautics and Space Administration NASA, The Moon Museum, November 3, 2004. p. 12-21.
Nikolaj Copenhagen Contemporary Art Center. "We Owned the Zeitgeist for a Couple of Minutes." Politiken, Kultur, October 15, 2004. p.3.
Zittel Andrea. "Shabby Clique." Artforum, Summer, 2004. p. 211.
2003
Gandee, Charles. "Heavy Metal." The New York Times, Home Design, Spring, Part 2, 2003.
p. 46.
_______. "Sculpture News." The Newsletter of the Storm King Art Center, Spring, vol. 13, no. 1.
Sweeny, Sean. "Mysterious Laser Beam Was Art, Not Attack." The New York Times, The City, March 25, 2003.
2002
Boettger, Susra. Earthworks – Art and Landscape of the Sixties. California: University of California Press, 2002.
_______. The Govenor Nelson A. Rockefeller Empire State Plaza Art Collection. New York: Rizzoli, 2002. p. 134-35.
Hernandez, Daisy. "Side Show Gallery: Forrest Myers & Michael Talley." The New Yorker Magazine, November 2002, p. 24.
_______. "Wall Sculpture vs. Walls of Ads." The New York Times, Metro Section, October 3, 2002. p. B1.
Longhi, Tomassio. "Ultra Delux – Forrest Myers & Michael Talley at Side Show Gallery." The Brooklyn Rail, Autumn, 2002. p. 22.
2001
Hoge, Warren. "Wood and Wire Recast in Gold." The New York Times, House & Home, November 29, p. F1, F4.
Boodro, Michael. "Making the Cut." Garden Design Magazine, October/November, 2001.
p. 68-77.
Wallace, David. "Second to None." Colorado Homes, September, 2001. p.74-81.
2000
Lee, Denny. "Manhattan: Soho's 'Wall' Saved." The New York Times, The Metro Section, October 18, 2000. p. 6.
Jensen, Jennifer. "Landmarks to Rule on Soho Art-versus-Ad battle." The Villager, September 20, 2000. p. 28.
Grant, Daniel. "Saving Public Sculpture." American Artist, August, 2000, p. 18-22.
Dunlap, David W. "'Wall Dispute in SoHo Lands in Court." The New York Times, The Metro Section, March 15, 2000. p.1B, 4B.
Lee, Denny. "Landmarking of a Wall Sculpture Hits Bricks-and-Mortar Opposition." The New York Times, The City, Section 14, May 21, 2000.
1999
Slaughter, Jane. "Woodward Lecture Series Presents Sculptor Forrest Myers." The Centerline, Fall, vol. 4, issue 1,1999. p. 10.
Ciezadlo, Annia. "A Compromise Plan That's No Work of Art." The New York Observer, July 12, 1999. p. 26.
Moynihan, Colin. "Using Dummies to Speak Against Advertising." The New York Times, March 28, 1999.
Uchtrup, Michael von. "Conjuring New Muses." Art Papers, January/February, 1999. p. 3.
1998
Sewall-Ruskin, Yvonne. "Max's Kansas City." New York Magazine, November, 1998. p. 44.
_______. "Battle Over Wall Sculpture." SoHo Alliance, Summer/Fall, 1998. p.1.
Slesin, Suzanne. "Artistry in Residence." House & Garden, August, 1998. p. 90.
Sewall-Ruskin, Yvonne. "Art & Technology." IEEE Spectrum, Pepsi Cola Pavillion Expo '70, July, 1998. p. 28-29.
Cash, Stephanie. "Forrest Myers at Art & Industrie." Art in America, April, 1998. p. 121.
Sellers, Terryl. "Sideshow is Launched…" Waterfront Week, vol. 8, April 23, 1998. p. 5.
Sewall-Ruskin, Yvonne. "The Great Wall of Soho." Municipal Art Society Newsletter, March/April, 1998. p. 2.
_______. "Blaue Stunde." Architektur & Wohnen, December/January, 1998. p. 65-66.
Cash, Stephanie. "Imperiled Art Work." Art in America, January, 1998. p. 27.
Sewall-Ruskin, Yvonne. High on Rebellion: Inside the Underground at Max's Kansas City. Thunder's Mouth Press, 1998. p. 76-79.
1997
Farmer, Ann. "Soho's Disturbing Signs." The Village Voice, December 23, 1997. p. 26.
Vogel, Carol. "When a Wall is Not Just a Wall." The New York Times, Inside Art, December 5, 1997 p. E30.
Azon, Gary. "Soho's Great Wall Under Attack." NIGHT, no. 37, December, 1997.
Chambers, Karen S. "Forrest Myers Recent Sculpture." Review, November 1, 1997.
Anderson, Lincoln. "Houston Street Landmark Sculpture Threatened." The Villager, vol. 67, no. 22, October 22.
Chambers, Karen S. "Forrest Myers: Recent Sculpture at Art & Industrie." Gallery Guide International, October, 1997. p. 12-13.
Sargent, Greg. "In Soho, Art Fights Commerce in a Battle Over the Wall." The New York Observer, November 17, 1997.
Allon, Janet. "Up against the Wall: Life and Art Threaten a Sculptured Façade." The New York Times, City Section, April 13, 1997.
_______. "Landmarks Leads Effort to Save Artwork on a SoHo Building." Downtown Express, vol. 9, Issue 23, April 1, 1997.
Rothfield, Michal. "World Famous Street Sculpture Under Attack." Manhattan Spirit, March 28, 1997.
1996
Borum, Jennifer. "Forrest Myers - Art & Industrie." Artforum, Summer, 1996. p. 110.
Heartney, Eleanor. "Forrest Myer at Art & Industries." Art in America, June, 1996. p. 98.
Glueck, Grace. "Take a Seat in Soho." New York Observer, Feb. 12, p. 21.
Servetar, Stuart. "ART." New York Press, vol. 9, no. 8, February, 1996.
McKinley, Jesse. "The City: Wall as Sculpture." The New York Times, January 7,1996.
Sand, Katrine. "Metropolitan Life: When Bowie Met Iggy at Max's Velvet Underground." Independent on Sunday, January 14, 1996. p. 4-5.
1995
Beardsley, John and David Finn. A landscape for Modern Sculpture: Storm King Art Center, New York: Abeville Press, 1995. p. 79, 101-102.
Rozhon, Tracie. "Habitats." The New York Times, January 22, 1995. p. 8.
1994
Altshuler, Bruce. The Avant-Garde in Exhibition – New Art in the 20th Century, New York: Abrahms, Inc., 1994. p. 233.
1993
Altshuler, Bruce. "Hugh's Truck." The New Yorker, November 13, 1993. p. 46-7.
Raynor, Vivien. "Changes at a Sculpture Park." The New York Times, August 22, 1993. p. 15.
Louie, Elaine. "…the Line Between Form & Function." The New York Times, February 11, p. C5.
1992
Cotter, Holland. "Art in Review." The New York Times, August 21, 1993.
1991
Cotter, Holland. "Die Kunst Der Verkunstung." Raum und Wohnen, May-June, p. 98-105.
Kluver, Billy. "Interview with Forrest Myers." Sculpture Magazine, May-June, 1991. p. 33.
_______. "Storm King Art Center." Sculpture News, vol. 1, no. 1, Spring, 1991. p. 87.
Kluver, Billy. "Katonah Museum of Art." The Technological Muse, Novemebr 1990–February 1991. Plates 101 – 102. p. 87.
1990
Janjigian, Robert. "Max's Kansas City." Night, November 19, 1990. p. 4.
_______. Hi Fashion (Japan). no. 198, October, 1990. p. 126.
_______. Ambiente. August, 1990. p. 10.
_______. Forbes, July, 1990. p. 100.
_______. Brutus (Japan), February, 1990.
1989
Naeve, Milos M. "Furniture Designed by Artists." Bomb Magazine, Fall, 1989.
_______. HG. October, 1989.
_______. "New Wave Furniture." New York Style & Design Magazine, October, 1989.
_______. "Now Art That You Can Sit On." The New York Times, Business Section, July 30, 1989.
McKenzie, Frank. "Unusual Comforts." Metropolis, May, 1989.
_______. "Pezzi Liberi Come Free Jazz." Casa Vogue, January, 1989.
1988
Jones, Alla. The New Yorker, December 12, 1988.
_______. Splash, December, 1988.
_______. Interior Design, October, 1988.
_______. Art Forum, October, 1988.
_______. "Hot Seats: An Affair with the Chair." Self Magazine, July, 1988.
_______. "Art & the Designed Object." Leading Edge Magazine, June, 1988.
_______. "Art and the Designed Object." Leading Edge, June, 1988.
_______. "Art Furniture." Elle Magazine, May, 1988.
_______. L'Atelier, April, 1988.
1987
Alexander, Amy. The New York Times. Home Section, November 19, 1987.
_______. "Another Crack in the Wall." Village Voice, October 27, 1987.
1986
Carrol, Jim. Fusion Planning, 1986.
_______. International Design, 1986.
_______. Metropolis, October, 1986.
_______. "The Art & Industry of Metal Furniture." Metalsmith Magazine, Spring, 1986.
_______. "Design USA." FP Magazine, Japan, March, 1986.
_______. "Art et Industrie." Ambiente, March, 1986.
_______. New York Times, Home Section, January 2, 1986
1985
Carrol, Jim. Studio International, vol.198, no.1009, 1985.
_______. Interior Design, 1985.
_______. "Fascinating Furniture Functional & Fantastic." Craft International, October—December, 1985.
_______. "All American Design." Newsweek Magazine, November 4, 1985.
_______. "Art Furniture." American Craft, October – November, 1985.
_______. Arts Magazine. Summer, 1985.
_______. "New York: Kunst-Mobelhaus Der Neuenwelt." Architektur and Wohnen, March, 1985.
_______. NY Trendline, March, 1985.
1984
Cooke, Ronnie. "8 Designers Made in USA." Per Lui, September, 1984.
_______. "Rejoinery." Details Magazine, June, 1984.
_______. "Form Follows Fantasy." Metropolis Magazine, January–February, 1984.
Slesin, Suzanne. "Different Drummers in Custom Furniture." New York Times, February, 1984.
Brutus. Second Anniversary Issue, 1984.
1982
Plumb, Barbara. "Living: Ideas and Trends." Vogue, December, 1982.
Plumb, Barbara. "Interior Objects at Art et Industrie." Japan Interior Design, September, 1982.
_______. "New York News." Schoner Wohnen, September, 1982.
_______. Domus. August, 1982.
Billy Condie. "Hot Properties." Metropolitan Home, May, 1982.
_______. Village Voice, 1982.
1981
Kurtz, Bruce. "Last Call at Max's." Artforum, April, 1981.
1980
Towle, Tony. "Forrest Myers at Elrich." Art in America, September, 1981.
1975
Ratcliff, Carter. "Artpark." The New Yorker, September, 1975. p. 27.
Kingsley, April. Art in America, March–April, 1975.
Ratcliff, Carter. Art Spectrum, February, 1975.
Schwartz, Barbara. Craft Horizons, February, 1975.
Ratcliff, Carter. Kunstforum, December 1974 – January 1975.
1974
Bourdon, David. "Art." The Village Voice, December 16, 1974. p. 112.
1973
Davis, Paul. Architectural Digest, November, 1974.
1972
Kluver, Billy and Julie Martin. The Pavilion, New York, 1972.
_______. Art News, December, 1972.
_______. Avalanche Magazine, Fall, 1972.
_______. The New Yorker Magazine, Fall, 1972.
1971
Kluver, Billy and Julie Martin. Arts Magazine, December, 1970—January, 1971.
1970
Glueck, Grace. "New York Galleries Note, September-October 1970." Artnews, December, 1970.
_______. The New Yorker Magazine, October, 1970.
_______. Avalanche Magazine, Fall, 1970.
1969
Glueck, Grace. Rolling Stone Magazine, September.
_______. "The Pepsi Pavillion." Art in America, May-June, 1969.
1968
Andreae, Christopher. "Park Place Group in show at MIT." Boston Globe, 1968.
1967
Ruda, Edwin. "Park Place 1963-67 – Some Informal Notes in Retrospect." Arts Magazine, November, 1967.
_______. Time Magazine, October, 1967.
_______. "Sculpture: It Comes from all Directions." Los Angeles Herald-Examiner, California Living, April 23, p. 30.
1966
Factor, Donald. "Anthony Magar, Forrest Myers at Dwan." Artforum, vol.5, no.4, December, 1966.
Wilson, William. Art International, vol. 10, December, 1966. p. 51.
_______. "Talent in Anonymous Style." Los Angeles Times, October,1966. p. 18.
Robins, Corinne. "Object Structure or Sculpture: Where Are We." Arts Magazine, September-October, 1966.
Bourdon, David. Art International, September, 1966. p. 57, 70.
_______. "Our Period Style." Art and Artists, June, 1966.
W.B. "Forrest Myers, Tamara Melcher." Arts Magazine, June, 1966.
Robins, Corinne. "Four Directions at Park Place." Arts Magazine, June, 1966
Bourdon, David. "Engineer's Esthetics." Time Magazine, Sculpture, June 3, 1966. p. 64.
_______. Art Voices, Summer, 1966.
Kramer, Hilton. "Primary Structures – The New Anonymity." The New York Times, May 1, 1966.
McShine, Kynaston. Primary Structures: Younger American and British Sculptors. Exhibition catalogue. The Jewish Museum, New York, April-June, 1966.
Piene, Nan. "New York Gallery Notes." Art in America, March-April, 1966.
Lippard, Lucy. "Recent Sculpture as Escape." Art International, February, 1966.
Bourdon, David. "E=mc2 a go-go." Artnews, January, 1966.
_______. Mizue, no. 738, 1966.
Smithson, Robert. "Entropy and the New Monuments." Artforum, June, 1966. Reprinted in The Writings of Robert Smithson. Essays with Illustrations, edited by Nancy Holt.
1964
Lippard, Lucy. "New York Invitational Show – Park Place." Artforum, May, 1964.